I just received the greatest news, my YA book “A Girl Named Mary” will be launched by World Castle Publishing on June 27th. Watch for more news…
Monthly Archives: May 2016
by Anica Mrose Rissi
- Revise, revise, revise! I don’t want to read your first draft, ever. (Tip: Your novel isn’t ready to send to me until you can describe it in one sentence.)
2. Start with conflict and tension to raise questions, arouse curiosity and (like musical dissonance) create the need for resolution.
3. Start with the story you’re telling, not with the backstory. Throw the reader directly into a conflict and let her get to know your characters through their actions. (Yes, this is another way of saying, “Show, don’t tell.”)
4. Give the reader something to wonder about and a sense of where the story is going—of what’s at stake.
5. Avoid explaining too much too soon. And, don’t be obvious. Trust your readers. Trust your characters. Trust your writing. If you find that chunks of your story need to include long explanations, go back in and write those chunks better, until the story explains itself.
6. Make sure your story has both a plot arc and an emotional arc. Cross internal conflict with external conflict. Give your characters moral dilemmas, and force them to deal with the consequences of their choices.
7. Read your dialogue out loud. When revising, ask yourself, “What is the point of this dialogue?” (Just as you should be asking, “What is the point of this sentence? What is the point of this scene?”)
8. Use adjectives, adverbs and dialogue tags only sparingly. (See “trust your readers,” above.)
9. Make sure your details matter.
- Dialogue should stay on topic,
- Use dialogue as you would regular speech,
- Opt for the speaker said over all others,
- Avoid long speeches,
- Sound like the character, right down to accent and incorrect grammar
- Show what the characters are doing while they’re talking,
- Keep characters’ speech consistent.
When breaking the rules makes sense…
How many rules have you broken and why? Breaking these rules can be helpful and useful or it can be a sign of poor writing. Writer’s Digest magazine warns, however, “Words can be barbs. They can be sabers. They can be jewels. Don’t let them be marshmallows that are passed back and forth.” Dialog is the most useful technique writers have to define and develop characters, move the story, and provide background. Of course, there are exceptions to these rules. Knowing when to use them and when to break them is the difference between ‘writing’ and ‘good writing’.
An editor comes to the rescue…
You think it sounds just about perfect, your spouse and a few lodge friends love it. But is it ready for submission. An editor could be just what you need to put your manuscript over the top. By editor, I’m talking about a professional editor, not a friend or relative—an unbiased individual who will give you a professional evaluation of your manuscript.