Tag Archives: nonfiction
Goodreads Book Giveaway
The primitive-looking coelacanth (pronounced SEEL-uh-kanth) was thought to have gone extinct with the dinosaurs 65 million years ago. But its discovery in 1938 by a South African museum curator on a local fishing trawler fascinated the world and ignited a debate about how this bizarre lobe-finned fish fits into the evolution of land animals.
There are only two known species of coelacanths: one that lives near the Comoros Islands off the east coast of Africa, and one found in the waters off Sulawesi, Indonesia. Many scientists believe that the unique characteristics of the coelacanth represent an early step in the evolution of fish to terrestrial four-legged animals like amphibians.
Enter the Goodreads Giveaway for Looking at the Cat, an Eye on Evolution
For the teen reluctant reader; Our books are “Longer but Not Harder”—on Amazon, Nook, iBooks, Kobo, Inktera, Scribd, Tolino, 24Symbols, Create Space and Amazon (Kindle).
About the Aquitaine Reluctant Reader Series:
Why a Reluctant Reader Series?
Not all children read at the same level nor do all children enjoy reading. While a good many children do become excited and engaged in reading, especially in the primary grades, some are reluctant and disinterested. While a child may not show a natural interest in reading, this does not mean he/she cannot become a skilled and even enthusiastic reader. If the child has reached middle grade and is still disinterested, it’s time to take action.
While any child, young or old, male or female can be a reluctant reader the largest number of unenthusiastic readers are adolescent boys. Research shows that a good number of boys who were avid readers in the elementary grades become disinterested in reading during their middle school years. However, there are a number of factors that may contribute to this shift—increasing complexity of material, peer pressure—one of the primary reasons seems to be they fail to see the connection between reading and “real” life.
School assignments, such as book reports, can become stressful for these students as well as parents and teachers. These children need material that is especially prepared to be relevant to the curriculum as well as to life. This material must be written to engage the reluctant reader, using images as well as text and presented in electronic and paper to fit classroom and leisure reading.
Books for the reluctant reader must be:
- Relevant to the curriculum (Common Core),
- Factual but engaging,
- Written to pique and hold interest,
- Presented in text and images,
- Available as ebook and in print, and
- Priced to be affordable for the individual student as well as bulk-priced to be attractive to schools.
Aquitaine, Ltd.’s Reluctant Reader Series, geared to readers in grades 10 and up, fills all these requirements. Our books have been thoroughly researched and edited by leading scientists and written by educators and librarians.
No matter how you want to publish, and whether you write fiction or nonfiction, you should produce a business plan for each and every book you write and publish—before writing a word of your manuscript. Let me offer you eight good reasons why I believe this is an important practice if you want to achieve success as an author.
1. A business plan helps you hone your message or story into a viable product.
You don’t want to discover after you finish your manuscript that it isn’t marketable. That means no one will buy it—not readers or a publisher. It’s much better to ensure you create a marketable book idea from the start, and then write that book. A business plan forces you to create a focused book pitch, something difficult to do if you don’t know what you are writing about. That pitch offers you, and, ultimately, readers, a clear statement about your book’s benefits, why someone would want to read your book rather than someone else’s book on the same topic or with a similar story. It ensures you provide value to readers in your category and market. If you can’t provide value in the marketplace, you don’t have a viable product.
2. A business plan helps you determine if a market exists for your book.
Before you write your entire manuscript you also want to ensure you know who you are writing for and that you have a large enough market. A large market makes a book profitable. When you create a business plan for your book, you conduct a market analysis and determine how many potential readers exist for your book and where you might find them. When you know there are enough people in the world who might buy your book, and that you can target them with your promotion efforts, that justifies writing it.
3. A business plan helps you produce a unique and necessary book.
Conducting a competitive analysis, another part of producing a business plan for your book, forces you to take a close look at what other authors in the same category have already done with similar books. You can then compare and contrast their successful books to your own book idea. This helps you produce a book that is unique as well as necessary compared to those already published in the category. You surely don’t want to write a book that is just like all the others. Rather, you want to write a book that is different enough to make it stand out from the pack.
4. A business plan helps you create a marketable structure and content for your book.
A business plan includes a table of contents and chapter summaries (or a synopsis—although I suggest all authors produce chapter summaries). If you go to the trouble of doing this and then comparing your proposed content to your market and competitive analysis, you have an opportunity to tweak your book idea further. When you’ve finished this part of your plan, you stand little chance late in your book writing process of discovering you have produced a manuscript that is scattered, rambling, misses the point, left out important parts of the story, or leaves out essential information.
5. A business plan allows you to tweak your idea for maximum product viability.
At this point in the business plan creation process, you can go back to the beginning and rework your pitch to ensure that your initial book idea matches the final idea you have created based upon market and competition studies. You also can recheck the benefits—the value—you plan to provide readers. If your book sounds compelling, necessary and unique after you make any final changes, you’re ready to begin writing. You’ve crafted a viable book idea.
6. A business plan offers you an opportunity to plan for success.
Whether you self-publish or land a traditional publishing deal, the promotion plans you implement before and upon release of your book determine your book’s success (how many copies it sells). That’s why every book’s business plan needs a promotion section, which is actually a plan of its own. Since promotion needs to begin the moment that light bulb goes off in your head, it makes sense that you should start planning how you will promote your book before you even begin writing it. To do that, however, you need to have done your market analysis.
7. A business plan helps you evaluate your readiness to publish.
If you plan to self-publish, you could do so at any time. But that doesn’t make it the right time. Traditional publishers determine if nonfiction writers are ready to publish by evaluating the size of their author platform, the built-in readership they have created by increasing their visibility, reach, authority, and influence in their target market. Author platform can help fiction writers land publishing deals as well. And platform helps all authors create successful books. A fan base, or a large, loyal following of people who know you means a higher likelihood of selling more books upon release. As you create your business plan, you should analyze the size of your platform and determine if now represents the best time for you to release a book.
8. A business plan helps you determine if you are a one-book author.The more books you write, the more books you sell. When you write a business plan for your book, you take time to consider spin-off books, sequels and series. This can be important if you want to create a business around your book, brand yourself, or attract a traditional publisher.
The Bottom Line:
A Business Plan Helps You Produce a Successful Book
All eight of these reasons can be condensed down to one: Creating a business plan for your book helps you produce a successful book. Without creating a business plan prior to writing your book you risk producing a manuscript—and later a published book—with no market value. That means it won’t sell many copies. If you do produce a business plan for your book before you write it, you have a high likelihood of producing a viable—marketable—book idea. That means when you actually write the book and publish it, the book will sell—to publishers and, ultimately, to readers.
Have you fallen asleep or put a book down because you found it boring? The story wasn’t moving fast enough; the characters seemed flat—not people, just cut-outs; you were left wondering where did this character come from? First, you put it down as poor editing—you’re right. That’s only half of it—it’s really poor writing. The editor was “trying to make a silk purse out of a sow’s ear”, so to speak. That doesn’t happen often. More than likely, it was a self-published book that was not properly edited.
It is not my intention to damn self-publishing. Far from it—it is the only sure way for an author to get a work into print. It is cheap and fast and, with a little work, it can be as good as any work published by “the Big Six”. The operative phase here is “with a little work”. This goes beyond an attractive cover and a nice picture of the author. This means having, usually paying, a professional editor to work over your writing. This editor must look at and beyond grammatical and spelling errors (those should have been caught by the author). This editor will analyze the story arc, character development and make sure everything is brought to a final, believable conclusion. A final note—a spouse, a parent or other relative rarely makes a good final editor. This editor should be unbiased by relationship or friendship.
There are many different genres within creative nonfiction: memoir, biography, autobiography, and personal essays, just to name a few.
Here are six simple guidelines to follow when writing creative nonfiction:
1. Get your facts straight. It doesn’t matter if you’re writing your own story or someone else’s. If readers, publishers, and the media find out you’ve taken liberty with the truth of what happened, you and your work will be ridiculed and scrutinized. You’ll lose credibility. If you can’t help yourself from lying, then think about writing fiction instead.
2. Issue a disclaimer. Most nonfiction is written from memory, and we all know that human memory is deeply flawed. It’s almost impossible to recall a conversation word for word. You might forget minor details, like the color of a dress or the make and model of a car. If you aren’t sure about the details but are determined to include them, be upfront and plan on issuing a disclaimer that clarifies the creative liberties you’ve taken.
3. Consider the repercussions. If you’re writing about other people (even if they are secondary figures), you might want to check with them before you publish your nonfiction. Some people are extremely private and don’t want any details of their lives published. Others might request that you leave certain things out, which they feel are personal. Otherwise, make sure you’ve weighed the repercussions of revealing other people’s lives to the world. Relationships have been both strengthened and destroyed as a result of authors publishing the details of other people’s lives.
4. Be objective. You don’t need to be overly objective if you’re telling your own, personal story. However, nobody wants to read a highly biased biography. Book reviews for biographies are packed with heavy criticism for authors who didn’t fact-check or provide references and for those who leave out important information or pick and choose which details to include to make the subject look good or bad.
5. Pay attention to language. You’re not writing a textbook, so make full use of language, literary devices, and storytelling techniques.
6. Know your audience. Creative nonfiction sells, but you must have an interested audience. A memoir about an ordinary person’s first year of college isn’t especially interesting. Who’s going to read it? However, a memoir about someone with a learning disability navigating the first year of college is quite compelling, and there’s an identifiable audience for it. When writing creative nonfiction, a clearly defined audience is essential.
A book talk in the broadest terms is what is spoken with the intent to convince someone to read a book. Book talks are traditionally conducted in a classroom setting for students; however, book talks can be performed outside a school setting and with a variety of age groups as well. It is not a book review, a book report, or a book analysis.
The book talker gives the audience a glimpse of the setting, the characters, and/or the major conflict without providing the resolution or denouement. Book talks make listeners care enough about the content of the book to want to read it. A long book talk is usually about five to seven minutes long and a short book talk is generally less than a minute long.
On the other hand, a book review is a form of literary criticism in which a book is analyzed based on content, style, and merit. A book review can be a primary source opinion piece, summary review or scholarly review. Books can be reviewed for printed periodicals, magazines and newspapers, as schoolwork, or for book web sites on the Internet. A book review’s length may vary from a single paragraph to a substantial essays. Such a review may evaluate the book on the basis of personal taste. Reviewers may use the occasion of a book review for a display of learning or to promulgate their own ideas on the topic of a fiction or non-fiction work.
There are two approaches to book reviewing:
• Descriptive reviews give the essential information about a book. This is done with description and exposition, by stating the perceived aims and purposes of the author, and by quoting striking passages from the text.
• Critical reviews describe and evaluate the book, in terms of accepted literary and historical standards, and supports this evaluation with evidence from the text. The following pointers are meant to be suggestions for writing a critical review.
Have you thought about writing an article? Here is some interesting advice I found recently.
A good article makes the reader think. A great one forces him to react.
In the world of writing, which is all about communication, the mark of an expert is how much buzz or discussion his article generates, how many people weigh in with their opinions, what feedback is given and taken, where else the work is being bandied about. Complex subjects can easily become dry and dull if not handled carefully.
Unlike fiction, nonfiction on layered topics has no characters to make the reader care about them, no twists in the plot to keep up audience interest, and no emotionally charged
dramatic scenes to vary the pace of the narrative. So, you need to make sure that either the topic you are writing about is sufficiently interesting to make your audience feel strongly about it or the way you present it is unique enough to urge readers into some sort of action, whether it is vociferous agreement or vehement disagreement—anything but mild apathy.
From: Writer’s Guide to 2014.
Twitter has brought about the degradation of the English language. Charm ‘em, don’t cheat ‘em.